The makenine challenge each year always feels like an almighty hill to climb. Perhaps I am too ambitious for myself, but including a knitting project in the nine, when I am such a novice, always makes the challenge hard.
The project I chose was a sweater using a vintage pattern. I hadn’t knitted a full sweater before, nor followed a vintage pattern: this really was a learning curve. Not to mention that this is only the second project where I had picked up stitches on a neckline, or used mattress stitch to seam. I laugh in the face of my ambitions! This said, it was no surprise that the process was slow, and I needed to consult youtube frequently to check on the techniques that I either didn’t know, or needed reminding about.
The only familiar aspect of the project was that I chose to use Lett Lopi yarn. I used the same yarn here and was so pleased with the result I wanted to used the same wool again. The yarn is extremely warm, perhaps because it comes from Icelandic sheep.
I had a conversation with my next-door neighbour recently where we talked about working from home and he shared with me his delight in a quilted gilet and fingerless gloves. This sweater is my equivalent and will help ward off the creeping cold that seems to penetrate your bones when you need to sit still for hours in a cold Victorian house.
One thing to note for those that have never used Lett lopi before; it has the very unusual property of being made of only one strand. Plyed yarns are stronger than a single strand of the same thickness so you do need to be careful when pulling on the yarn. I am quite a loose knitter so never have problems with this, but trying to seam my sweater together I did pull the yarn apart a few times.
My experience with my first vintage knitting pattern was better than I expected. I was nervous about diving into this project simply because I couldn’t tell what quantity of wool was needed, but after those initial doubts, following the instructions was simple enough and I used youtube to fill my knowledge gaps when I came across techniques or stitches I didn’t know. I learned a lot about different types of decrease and picking up stitches with this project. I was extremely pleased that I incorporate a beautiful alternating cable cast-on too.
My sweater is very warm; I would go as far as saying that I will probably only wear it inside at home or when it is very cold outside. My only regret is that it is quite tight-fitting and before you ask my gauge was spot on and I picked the correct size. According to the pattern, it is to be worn with no ease. I really should have read that, but somehow I didn’t. I think it fits with the seventies aesthetic, but I’m not convinced it looks marvellous on me with my lack of waist definition. I have been going through my wardrobe and experimenting with different looks. Here are my thoughts:
Look 1: Brushed cotton checked shirt (Lekala) with RTW low-rise jeans
The low-rise of these jeans meant that there was a definite gap between the bottom of the sweater and the trousers, so I wondered whether the untucked shirt would work. I’m not sure. I like the brushed cotton under the sweater though.
Look 2: Brushed cotton shirt with flared high-rise jeans
The colour of the shirt is probably not a great choice, but I wanted to see if this style fitted well under the sweater and it did. The high-rise jeans cover the gap between the sweater finishing and the jeans waistband.
Look 3: Floral liberty shirt with RTW Black velvet skirt
This was a surprise combination: I have never worn this shirt and skirt together and the sweater brings the whole look together. I like this! I have often seen dresses worn with cropped jumpers and this emulates that look as the skirt sits quite high on the waist.